Good Ol' Days

My name is Rob, and I remember the good ol' days. Through out high school and most of college, almost my whole life was consumed and surrounded by one thing: drumming. I know you're probably thinking of Animal from The Muppets, or that guy from Def Leppard, or maybe even Neil Peart. I couldn't care less about anyone who played a drum set. I kept up with people like Jeff QueenNick Angelis, and Bill Bachman - all famous guys in the world of drum corps.

I took the opportunity to attend a couple of drum corps shows this year. By attend, I mean stand around in a parking lot for several hours watching various drumlines warm up before they take to the field. People familiar with the activity know this is where the action is - behind the scenes. Watching up close is where you really witness the dedication,  hard work, the pursuit of perfection, and the immense complexity of what really goes on during the show.

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Before this summer, it had been several years since I'd been to a show. Every summer I had thought about it, and every summer it seemed to get lower on my list of priorities when the time rolled around. I always remembered how fun they were. The diesel fumes, and the heat, and the walking incredible distances from rehearsal site to rehearsal site. It doesn't sound like much fun, I know, but it was worth it to see the intensity and the talent that the performers had.

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I also remember a certain sense of somberness at the end of the night. I was never able to march with a corps in DCI. I attribute it largely to a back injury I sustained my senior year in high school. It all went down hill after my surgery. I'd always regret not working harder, and pushing myself further to able to partake in what a lot of people consider a life changing experience.

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This year was different. Maybe I'm older, or my outlook on life has changed, or maybe it was seeing people that I haven't seen in years. There was still that twinge of regret. But more than that, there was an overwhelming flood of positive vibes and good memories that sprung to the front of my thoughts.

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I remember sitting with my practice pad, playing until I couldn't feel my arms anymore.

I remember keeping a keen eye to avoid dog piles my freshmen year.

I remember being in arc in the band room, playing the same legatos exercise for hours. Every single person was concentrating to the very best of their ability on "blending" and being able to produce one single sound from a group of 10 individuals.

I remember shaving all the freshmen's heads on my buddy's back porch.

I remember the band director showing up in his underwear and screaming at us at midnight because we were still rehearsing in the gym the night before a competition.(Yes, that actually happened.)

I remember having bon fires and playing Twister in the section leader's back yard.

I remember the competition where we stood at attention, unwavering and not speaking, for 20 minutes in front of another line waiting on our warm-up spot, and their drum instructor asking us to turn around because we were intimidating his students.

I remember all the good times, and good friends I've made through the common ground of playing percussion.

I remember after the show this year Russ, Jimmy, and me standing around one practice pad trying to hack our way through some old school exercises. We suck now. We suck hard. We're past our prime. We'll never be as good as we used to be.

What did all those years of sweat, and practice, and hard work amount to? Nothing really, but three old guys grasping for what once was.

It doesn't matter, not even a little bit, because I love it. Nights like these are the good ol' days.

 

 

Detour

My name is Rob, and equipment failures make my day. Equipment failures are a part of the life of a photographer. Sometimes you can prepare for them, and sometimes you can't.  On this particular day, I didn't even realize I'd had one until I got home to find that both of my memory cards had been corrupted and were not recoverable.

Needless to say, I was less than happy. I was going to have to inconvenience the business owner, and spend another 5 hours in my car for what amounted to 60 minutes worth of actual work. Fortunately, when I informed the business owner that I was going to need to make another trip down there, she was incredibly understanding and wouldn't be inconvenienced in the least. That conversation made me feel a bit better. We scheduled the re-shoot for the following week.

On the day of the re-shoot, I was bound and determined to make the best of a crummy situation. It was a surprisingly mild day for August in Alabama. My GPS was set to take me down AL-33 straight through Bankhead National Forest - an absolutely gorgeous drive that I'd discovered on my way back from the first shoot.

Enjoying the scenery on the drive down, I made the decision to stop and shoot some of that scenery on the drive back. My mind was filling up with ideas of things I could capture from the roadside. Today was going to be a good day.

I managed to finish up the photo-shoot in just under an hour. I double and triple checked everything as I was leaving to make sure there couldn't be any other problems.

I started my trek home excited about what I'd be able to photograph on the way back.

At the intersection of AL-13 and AL-278, something caught my attention. An enormous wooden sign with the words "Natural Land Bridge - 1/4 mile" carved into it.

I paused at the stop sign for much longer than I should have. As I'm sitting there, probably holding up traffic, I thought to myself:

"It's out of the way. It's a tourist trap. It can't be that impressive. I've got more important things to... Wait a minute. No, I don't. I've got the rest of the day to wander about and see what I discover. FILDI."

Left-hand turn-signal initiated.

Following the signs, I pulled into a gravel parking lot with a cabin on one side, and a gift shop of magnitude I had not expected on the other.

I collected my tripod and camera bag from my back seat, hoping there wasn't some 10 mile hike to get to this "bridge". Speaking to the lovely young lady behind the counter of the gift shop, she tells me it's only about a hundred yards up the trail. I fork over my $3.50 admission, accept my pamphlet, and head up the trail.

There is only one word to describe what I saw: Magnificent.

Formed by an underground river millions of years ago, there's a 148 foot span, 60 feet off the ground. Enveloped by a thick canopy, the sun is peering in from all different directions creating bright beams and an overall soft backdrop for viewing the bridge.

One beam, in particular, drew my attention immediately.

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I explored the surroundings for nearly two hours, trying to find the best angle, sometimes perching precariously in places I shouldn't, and just enjoying the splendor of nature that you can't find in the city.

When I decided I'd taken every picture that needed to be taken, I found I couldn't give a damn about stopping on the side of the road in Bankhead. I found something truly amazing by taking just a small detour.

The next time you're out and about, or on a roadtrip, or whatever, and something catches your eye, stop. Take the risk. Explore. It will make your day.

 

To see what else I found that day click here.

You're Doing It Wrong

My name is Rob, and I am woefully ill-prepared. I had been to the venue before - WorkPlay in Birmingham. The last time I'd been there was the first concert I "covered". I managed to smuggle my DSLR in through security to shoot a MuteMath show. I shot everything from the same place in the crowd, and had an absolute blast.

I've never really been a concert guy. I mean, I've been to several. But, I'm always the guy who's just nodding his head, standing next to the sound booth. That's where everything will sound the best, and, ya know, people don't step on my feet or spill beer on me.

I've come to appreciate live music a lot more in the last few years. I think shooting that show sort of solidified the whole thing. DSC_2251-2 Recently, I was lucky enough to be granted an all access pass to the Brother Cane show at WorkPlay. A guy of whom I'm a huge fan, and seen countless times around town happened to be a member of the band. His name is Dave Anderson. Anyone that knows him, knows he's a cool cat.  While playing, he'll greet people and say goodbye to folks leaving, all without dropping a beat. He's a genuinely nice guy, and never seems to forget a face.

I went up to talk to him after a show, speaking of him being a nice guy, to thank him for singing happy birthday to me. He was busy packing up all his stuff for the next gig that evening, shuffling around, unplugging, etc. The conversation went something like this:

"Happy birthday!"

"Thanks, man! Hey, I hear you've got a Brother Cane show in Birmingham soon"

"Yeah, at WorkPlay." he says still shuffling around.

"Would you happen to want a photographer?"

"...yeah," as he drops what he's doing to look at me, "that'd be great! yeah... I can.. yeah! Yeah, I'd love to have you come down! I'll get you a pass."

I was STOKED!

I was gonna knock this one out of the park.  I bought a new lens I've been wanting for a long time to shoot this show. I started studying what I could about concert photography.

Then, the day of the show came. I made sure all my batteries were charged, and memory cards were functioning. I packed up all my stuff and hit the road, headed to Birmingham, blasting Brother Cane the whole time. I arrived right when I expected - one hour before the opening band was set to go on.

I text Dave as I'm walking in the door, letting him know that I've arrived.

The response I get back a few minutes later - "I'll be there in an hour."

I hadn't expected that one.

I wander around looking for the will call booth for a bit. Shortly after I find it, I decide it's time to go see if I can check out the lighting of the stage.

With two cameras hanging around my neck, all access pass in hand, I wind my way around to the lobby outside the actual venue. There's no one taking tickets yet. Odd.

I walk around to the entrance next to the stage, and see some folks milling around. They look like caterers.

Very odd, indeed. It's now half an hour before the show is supposed to start.

I hear some noise coming from inside the venue. I peer open one of the gigantic double doors, and poke my head in to see a DJ in one corner and zero instruments set up on stage. The place was packed with people all wearing formal attire. No one could have been under the age of 50.

It was that moment, I had a bit of an epiphany. They're not playing on the main stage. I didn't even know there was another stage. Shit.

Hauling ass back around the hallway leading to the entrance to the building, I duck into the only other area I could see holding enough people to harbor a rock show. There's a ticket taker there. Nobody in a tuxedo, but lots of people in t-shirts with Brother Cane stamped on them.

Still almost in full-on panic mode, I just about threw my camera bag at the guy behind the counter asking(telling) him to hang on to it. DSC_2060 As I entered the new venue that I'd never seen before, I notice it's already packed. There are people crowding the stage which can't be more than 2 feet tall. It's a really nice venue though. There's a sizable general admission area in front of the stage. Surrounding it, there was a walkway with lots of high-top tables and booths set up. The second floor was more of the same.

Meandering around, trying to find a decent vantage point while retaining the ability to move around, I realize it's probably not going to happen anywhere near the stage.

Double shit. My camera/lens configuration needed to be changed.

Just as I get everything all reconfigured, and walk back in, BeItTheMeans, the opening band, takes the stage. They're an awesome southern rock group hailing from Sylacauga, Alabama.

Trying to get the coverage I want, traversing the crowd with $2400 in moderately sensitive electronic equipment hanging from my neck, I run into Dave at stage left. He brings me back stage and introduces me to the band. Scott, Flip, and Damon all give me a really warm greeting, and seem pretty happy that I'm there. They get back to their pre-show routine. I manage to get a few snaps off, and sit down to sort through some of my shots of BeItTheMeans.

As Brother Cane is fixing to take the stage, I rush out the door to find a decent spot to start shooting. I managed to find my spot in Dave's "fan section" - a bunch of people I recognized from gigs around Huntsville. DSC_2078 The lights dim as the band takes the stage. Within the first few notes the stage is brightly lit. Bright red. Time to set to work.

I take my first few pics thinking this lightshow is really red.

I decide to make my way to the other side of the stage, flipping dials and mashing buttons on my camera to compensate for the lighting.

The opposite side of the stage proved to be just as bad. Triple shit. This was gonna be a real challenge.

It was then a quote popped into my head, a quote that I try to live my life by:

"If you're not having fun, you're doing it wrong."

I was doing it wrong. I was worried about camera settings, lighting, positioning, perfecting composition, you name it.  Concerts cannot be shot in this manner. If I was constantly fiddling with the settings, and waiting for something I wanted to happen, I'd miss the whole damn show.  I needed to start having fun, and I did just that.

I got in the zone. I started letting the camera do some of the work for me. The camera served it's purpose - it became an extension of my hand. I captured anything and everything that caught my eye without discrimination.

I ended up with nearly 700 pictures that night, and had buckets of fun doing it.  There were fleeting moments captured in time that wouldn't have been possible had I still been concentrating on how it could have been a complete disaster.

I starting experiencing the world around me. I stopped doing it wrong, and started having fun.

 

To see what the disaster turned into, click here